As a bank robber, John Dillinger demonstrated some style. Unfortunately, these scenes don't appear in "Public Enemies." Director Michael Mann focuses instead on Dillinger's physicality as a bank purloiner, leaping on top of counters, threatening bank employees and blasting his way out of jams.
For her first solo exhibit, Rhode Island artist Jane O'Hara is showing 28 edgy, often provocative acrylic paintings of dogs, cats, elephants, rats, rabbits and pigs that subvert conventional approaches to art based on animals.
Here's a list of fireworks displays happening to celebrate the Fourth of July.
Your guide to Fourth of July activities
For the 23rd season, the nonprofit Society for Historically Informed Performance is offering a rich sampling of Renaissance and Baroque music at three locations.
Road trip nets memorable brews in the Steel City.
Sure, Mandy Moore has grown up. She's 25, married to singer-songwriter Ryan Adams and pushing past the teen-pop territory of her younger days, as she did on 2007's decidedly adult "Wild Hope."
In this latest thriller from Dean Koontz (a master at spinning dark tales), Cullen "Cubby" Greenwich becomes the target of Shearman Waxx, the most influential book critic in the country, after the publication of his latest novel.
Gwen Merchant believes she has the perfect marriage. She's even a bit smug about it until her college sweetheart walks up behind her in an ice-cream shop and orders two scoops of her.
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The city billed as the birthplace of the Industrial Revolution is pulling out all the stops when it comes to celebrating its 125th birthday.
Standing on the sidelines clutching a digital camera, Maria Rosati eagerly cheered on Waltham High School's Class of 2009 as if it were her own. "Yeah, Class of 1979," she shouted during commencement ceremonies yesterday. "I mean 2009!"
The Board of Health released a report last night challenging statements by the head of Newton-Wellesley Hospital and a related deal struck by the Planning Board compensating the town for a proposed surgical center.
In an engaging exhibit, 11 women artists have created their own personal cairns from pill bottles and tattoos, gravestones and their mother's aspirations without abandoning their essential functions.